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TALES FROM THE SYMPHONY

 

This book contains conversations with nineteen African American classical musicians currently performing—or who have previously performed—in America’s major symphony orchestras. Each chapter focuses on the story of one musician and sheds light on the realities of African American musicians playing in a musical environment that absolutely forbade their membership over half a century ago.

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These conversations explore the deeply ingrained prejudices that some hold against African American people in symphony orchestras, conservatories, and other musical institutions. By amplifying these voices, the book provides a variety of perspectives on the almost cloistered world of these beloved institutions. The stories and lessons shared in this book will be invaluable to music students, teachers, and orchestral professionals.

I highly recommend this book to all that have an interest in the behind-the-scenes life and work of African American symphony orchestra members.

Luther Lincoln Henderson, professor of music and humanities emeritus director of orchestral activities, Los Angeles City College

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I PLAY FRENCH HORN

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Todd Cochran joins Bob Watt in his solo album debut exploring traditional themes and the works of J.S. Bach, Dave Brubeck, Todd Cochran, Maurice Ravel and more.

Todd Cochran: Missing Miles (abridged)Bob Watt, Horn, Todd Cochran, Piano
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A wondrous musical space is created that Watt inhabits spiritually with striking power and finesse.

I found myself imperceptibly drawn into this realm by the deep, sometimes dark, luster of his music.

Paul Robeson Jr. - MSR Classics

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THE BLACK HORN

 

The story of the first African American French Hornist hired by a major symphony in the United States. Today, few African Americans hold chairs in major American symphony orchestras, and Watt is the first in many years to write about this uniquely exhilarating—and at times painful—experience. 

 

The Black Horn chronicles the upbringing of a young boy fascinated by the sound of the French horn. Watt walks readers through the many obstacles of the racial climate in the United States, both on and off stage, and his efforts to learn and eventually master an instrument little considered in the African American community. Even the author’s own father, who played trumpet, sought to dissuade the young classical musician in the making.

Watt evokes the emotions behind what it's like for him to be a successful African-American classical musician.

International Musician

 

...a visit with foul-mouthed Miles Davis are among the anecdotes that keep the reader hooked.

Fanfare Magazine

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